Please use this identifier to cite or link to this item: http://hdl.handle.net/123456789/3734
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dc.contributor.authorPARKINSON, Richard-
dc.date.accessioned2023-07-11T12:13:24Z-
dc.date.available2023-07-11T12:13:24Z-
dc.date.issued2009-
dc.identifier.citationPARKINSON, Richard. The Painted Tomb-Chapel of Nebamun. 2009. 182p.pt_BR
dc.identifier.urihttp://hdl.handle.net/123456789/3734-
dc.descriptionPhotography by Kevin Lovelockpt_BR
dc.description.abstractTHIS book is greatly indebted to Lise Manniche’s pioneering work in the 1980s on the lost tomb-chapel of Nebamun. Since then, it has been possible to examine the surviving paintings in much greater detail and in circumstances that were unavailable for her, so that many points of the descriptions, analyses and reconstructions here inevitably differ from this earlier study. However, her most important hypothesis - concerning the Berlin scenes - has been supported by new evidence. On a more personal note, this book also owes much to Meredith Hooper and her children’s book about Nebamun (1997), which gave me my first opportunity to work on the British Museum’s paintings, in 1996.pt_BR
dc.publisherThe British Museum Presspt_BR
dc.titleThe Painted Tomb-Chapel of Nebamunpt_BR
dc.title.alternativeMasterpiedies of ancient Egyptian art in the British Museumpt_BR
dc.typeBookpt_BR
Appears in Collections:Acervo de Livros e Revistas

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